Chicago Comedy

COMEDY CADENCE. Mastering rhythm

(Especially when performing for non-native speakers) Controlling your cadence is crucial for any stand-up comedian. But it becomes even more important when performing for audiences where English may not be the primary language. In this post, we’ll look at cadence techniques to maximize laughs, as well as specific tips for …

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person holding a vampire designed donut

185 BLANKS WALK INTO A BAR

A joke writing format from improvisation comedy. This is a fun exercise you can play alone or with fellow comedians to work on your punchlines. You have a fixed setup and you can make multiple punchlines. First you need to think of a random object or ask an online tool …

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collage of portraits of cheerful woman showing many emotions

POINT-OF-VIEW. The Heart of a Joke

Your joke needs at least 2 parts, a setup and punchline. This is joke structure. But what makes a joke very satisfying is attitude. What is it you are really trying to say? Having a clear point-of-view is what helps you create a relationship to your audience. Ideally every joke, …

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two parts to a joke setup premise and punchline

SETUP & PUNCHLINE. The two parts of jokes

The key to writing a successful joke is to make sure you understand how joke structure works. PREMISE. First you need a setup. This is a topic that is what your joke is about. It could be about relationships or politics or or even an anecdote of something that happened …

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Punchlines Joke Setups Joke writing practice

WRITING SETUPS FOR JOKES.

Random Punchlines – A setup joke writing exercise. It is helpful to be able to separate a punchline from the setup. Below are a list of 30 punchlines to real jokes. You should pick a random punchline and write as many setups as you possibly can for it. Setups should …

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clear light bulb

PREMISE DECONSTRUCTION. Using Improvisation to find Joke Premises

As a standup, you know the importance of strong, focused premises. But coming up with great ideas can be difficult. Taking a tip from improv can help spark new premises in a low-pressure, creative way. The format “Armando” asks an improviser to give a truthful, autobiographical monologue about a word …

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